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Inclusive Multimedia Production Course

Inclusive multimedia production course by Miguel Ángel Font Bisier

We present to you this course, constructed to familiarise you with what must be done to nurture a more inclusive world. Thanks to our program, we will review a significant amount of content so you can learn to utilise methods in your day to day to join the change from the accessible to the inclusive.

If you are interested in this course, do not hesitate to write to us at hola@micineinclusivo.com or fill out our contact form.

INTRODUCTION

This Inclusive Multimedia Production Course offers a theoretical and practical overview of the distinct tools of accessibility that exist to create multimedia content. In this way, you can design audiovisual works, exhibitions, advertising campaigns and other types of cultural products from an inclusive perspective and for a wide audience.

Additionally, within the Inclusive Multimedia Production Course, people with disabilities collaborate through videos and in person. This results in added value, since it is of most importance to know first-hand the members we are addressing. Promoting the democratization of multimedia and artistic content does not happen exclusively through learning about audio description or subtitling for people with hearing disabilities. It happens by making a personal and professional change to a series of levels that we will aim for during the training.

DESCRIPTION OF THE COURSE

Title: Course of inclusive multimedia production.

Mode:  online learning.

Duration: twelve hours (Wednesday, from 17.00 to 20.00 Spanish time).

Dates: the course starts the first week of each month.

Professor: Miguel Ángel Font Bisier + surprise collaborators.

Student profile: people linked to audiovisual and cultural media in general. People interested in learning about the creation of inclusive multimedia projects. Students of audiovisual translation, marketing and advertising, journalism and social work. People related to the disability sector. People with curiosity who want to expand their work resume.

Previous experience: basic, no previous training in accessibility is required. If you are experienced in this field, the course will have a complementary focus suited to your knowledge.

Price: 150 euros + VAT (copy of the digital book Universal Design Cinema is included)

Registration address: hola@micineinclusivo.com

CONTENTS

Session 1: Knowing about disability
  • Introduction to the workshop and presentation of its objectives.
  • Historical context of disability.
  • Appropriate treatment of people with disabilities:
    • Physical disability
    • Organic disability
    • Cerebral palsy
    • Mental health
    • Intellectual disability
    • Autism
    • Brain damage
    • Visual impairment
    • Hearing impairment
    • Deafblindness
Session 2: Audio description, subtitling and other cultural accessibility tools
  • Introduction to accessibility tools.
  • Audio description for the visually impaired.
  • Subtitling for the hearing impaired.
  • Working methods and ways of applying audio description and subtitling.
  • Other accessibility tools:
    • Sign language interpretation
    • Pictograms
    • Easy reading
    • Braille alphabet
Session 3: Accessibility versus inclusion
  • Analysis of a case of an accessible production.
    • Presentation and explanation of how to carry out an accessible cultural project with universal design guidelines through the XMILE case.
    • Analysis of the strengths and shortcomings of this model to evaluate the advantages of inclusive cultural production over accessible cultural production.
    • Debate and final thoughts.
  • Analysis of a case of an inclusive production.
    • Presentation and explanation of how to carry out an inclusive cultural project with universal design guidelines through the Blues Time case.
    • Analysis of the strengths and shortcomings of this model to evaluate the advantages of inclusive cultural production over accessible cultural production.
    • Debate and final thoughts.
Session 4: Accessibility and inclusion in daily life
  • identifying good practices and issues to improve with Practical exercises in accessible and inclusive projects
  • Discuss how to apply accessibly inclusive measures in your working life in the short, medium and long term.
  • Explanation and analysis of the Cinematographic Accessibility Report, a tool of our own creation which may help us in the professional day by day.
  • Validating what attendees have learned.
  • Conclusions and closing.