In recent years, accessibility in the audiovisual industry has gained greater relevance, driving initiatives that enhance diversity and inclusion. Among the proposed solutions, the figure of the accessibility coordinator has emerged as a new department and professional role that «ensures the participation of people with disabilities behind the screen, their non-stereotypical representation on screen, and the consideration of accessibility from the production and exhibition phases, acting as a bridge between the creative team and the accessibility team.»
To learn about this proposal, and since we have been asked about it several times, we will now compare it with inclusive cinema.
