We want to share with you our first accessible project: XMILE.
This version of the film features English SDH subtitles.
These subtitles are designed, mainly, for deaf or hard-of-hearing viewers. They offer any audible information relevant for the understanding of the plot. SDH are displayed in various places on the screen. Dialogues are highlighted in different colors.
An Accessibility Report is a memo that includes all the information that accessibility companies may need in order to create the project’s audio description and subtitles for the Deaf or Hard-of-Hearing (SDH).
It contains different texts written by the film’s creative team: Director, producer, cinematographer, art director, costume designer, sound designer and music composer. Each one of them briefly shares the information necessary to properly represent their artistic work in the audio description and in the SDH.
There is also a film’s technical aspects sheet and a glossary section. With these, we make sure that the accessibility professionals use the same lexicon as the film’s creators. This establishes a much better dialogue between creators and the companies, saving a lot of time and improving the quality of work.
“Nothing about us, without us”. This Latin slogan is very relevant in the Civil Rights Movements across the world.
We decided to fully embrace this statement and here is how: As stated before, many of the abovementioned innovations and ideas were made possible thanks to the conversations we had with the impaired people who collaborated with us.
Who are they and in what departments did they help?
-VICENTE-
He was a marketing specialist before losing his sight. He led the marketing department of Blues Time.
The idea of Blues Time came to me in February 2017.
My grandfather was suffering from severe dementia and living with him was emotionally challenging.
I wrote the first draft of the film, but all my energy was focused on XMILE at that time, so I filed it away and moved on for some months. But, after the talk at the Senate, in summer 2017, I was ready to blow off the dust from Blues Time’s draft.
The main reason was not only to share my personal experience about my grandfather’s; I wanted to test the new ways of improving audio-visual accessibility that I had actively been promoting for almost half a year. I needed to be sure that what we had fought for was worth the blood, sweat and tears.
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