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What inclusion has taught me: A life-changing story (Chapter 4)

4: ANSWERS AND MORE QUESTIONS

Imagine we were going to shoot a movie and nobody from the team would communicate with each other. The actors would not get the script; the cinematographer would not know how the director designed the sequences… we would just meet the day of the shooting and shout: Action!

What a nightmare!

Image 25: A break during the shooting of Blues Time at Loco Club Concert Hall. By Miguel Serrano.

Planning is mandatory while creating a film, and regarding audio description (AD) and subtitles for the Deaf or Hard-of-Hearing (SDH) we could do better.

Image 26: Audio description logo.

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What inclusion has taught me: A life-changing story (Chapter 3)

3: FROM THE SCREEN TO THE HEART

Although there was not that much ready-made information available, little by little, I was able to find what I was looking for.

I started with History, Politics and Legislation, in order to know the laws and statements that the UN, EU, World Health Organization (WHO) and my own country have published. Already, a lot of work has been done in the fields of technology, communication, social initiatives, etc. towards reducing the level of social exclusion.

The first turning point in my investigation was reading the WHO’s definition of disability:

“Disabilities is an umbrella term, covering impairments, activity limitations, and participation restrictions. An impairment is a problem in body function or structure; an activity limitation is a difficulty encountered by an individual in executing a task or action; while a participation restriction is a problem experienced by an individual in involvement in life situations. Disability is thus not just a health problem. It is a complex phenomenon, reflecting the interaction between features of a person’s body and features of the society in which he or she lives.

Overcoming the difficulties faced by people with disabilities requires interventions to remove environmental and social barriers”.

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What inclusion has taught me: A life-changing story (Chapter 2)

2: MY FIRST STEPS INTO ACCESSIBILITY

Smelling my own movie was a surreal experience. It was also an inspiring one, and some ideas popped into my mind: For example, I thought, if we are able to assign a particular perfume to every main character, adding an extra layer of sensory realism, then why not add aromas to a catwalk to make these events more enriching? These essences could be carefully chosen by the project’s fashion designer him or herself, as they were for XMILE.

The multisensory side of the project was interesting, but I had another thing in mind: Given that XMILE could be “smelled” as well as seen, would it be possible to create a cinematic experience that would include people who lack sight or hearing? And, if so, how does a blind person watch a film? And a deaf person? What about the deaf-blind people?

Image 7: A frame of XMILE.

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