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Cómo terminar un largometraje inclusivo en tiempos del coronavirus

En esta entrada, nos gustaría compartir nuestra experiencia sobre cómo ha sido terminar un largometraje inclusivo en tiempos de coronavirus.

Febrero de 2020

El mes en el que ya se estaba hablando de la Covid-19, nosotros acabábamos de ofrecer la primera rueda de prensa sobre SWING! La Vida d’un Secret. Estábamos muy contentos, e incluso cerramos varias entrevistas para la radio, como por ejemplo la que realizamos en el programa de Miguel Ángel Pastor.

Nuestra entrevista en el programa de radio A Buenas Horas, con Miguel Ángel Pastor.

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SWING! La Vida d’un Secret: Detrás de las cámaras COMPLETO

En este artículo queremos compartir todos los vídeos que, desde miCINEinclusivo, hemos desarrollado alrededor de nuestra primera película inclusiva: SWING! La vida d’un secret.

Agradecemos a los productores y a Jose Luis Carretero, el operador de cámara que ha capturado una gran parte de las imágenes utilizadas, haber tenido la oportunidad de contar la película de esta forma.

Todos los vídeos están subtitulados para personas sordas.

¡Comenzamos!

Entrevista a Miguel Ángel Font Bisier, director y guionista de la película

La parte inclusiva del largometraje

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SWING! The Life of a Secret: An Inclusive Feature Film

«SWING! The Life of a Secret» is a fresh, dynamic film with a plot full of twists. It was designed to be the first inclusive feature film from the start, from script-writing to distribution.

SWING! The Life of a Secret is an inclusive feature film created by Miguel Ángel Font Bisier. Picture by Jose Luis Carretero.

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 Cinema For All: Part 2

An eye-opening anecdote

People are usually motivated by personal experience as a catalyst for universal change. Miguel Ángel Font Bisier admits he is not an agent of change who has personally been affected by any disability either through family members or his social bubble.

No, his defining moment was a result of a meeting with a deaf attendee at a film festival in San Diego 10 years ago. Admittedly, due to budget constraints and not thinking it would be selected for festival content, he had decided to shoot the film more as video art, abundant with visuals, few sound effects and complimenting music.

Miguel Ángel Font Bisier attending La Jolla Fashion Film Festival 2011. By Minh Huyhn.

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Cinema For All: Part 1

An unconscious bias exists towards the deaf, blind and disabled community among cinema enthusiasts.

At its premiere, XMILE was screened featuring SDH. By Sergio López.

How many of us have gone to the cinema to watch a film that included subtitles for audience members who were hearing impaired? Were you annoyed with the whispers of their companions trying to explain what was happening throughout the film? Further, have you ever seen a visually impaired person at the cinema? Personally, I have not.

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