Cultural accessibility can be approached from many different perspectives: a film, a work of art, a training programme or even the way we organise an event.
During our recent stay in Bucharest, we had the opportunity to explore these different perspectives through three activities promoted by the Instituto Cervantes: an artistic intervention at a museum, an accessible screening of the documentary Inclusivity – Beyond Cinema, and an inclusive filmmaking workshop for the Romanian audiovisual sector.
Three different initiatives with the same underlying idea: to integrate accessibility into culture from the outset and to work alongside the people who will ultimately experience it.
This certification, granted by ANECA (National Agency for Quality Assessment and Accreditation) and FECYT (Spanish Foundation for Science and Technology), is not a mere award. It is a rigorous validation of the scientific excellence and editorial quality of the work.
Today is a day of great significance for Valencia. The city has been awarded two distinctions at the Access City Award 2026, an unprecedented achievement in the history of these European recognitions:
Second prize as the most accessible city in Europe
Special mention for accessible emergency services
Valencia thus becomes the only city that has received two awards in the same edition, a milestone that reflects sustained, serious and committed work in favour of universal accessibility.
For years, we’ve argued that audiovisual accessibility is not merely a set of techniques, but rather a way of understanding cinema itself. Yet convictions need data to back them up. That’s why, between February and March 2025, we decided to rigorously measure what happens when someone watches our film Inclusivity – Beyond Cinema. The results confirm something we had long suspected: there exists a gap between wanting to do things right and knowing how to do them.
Methodology: How We Measured Change
Working alongside Josep Solves from CEU Cardenal Herrera University, we administered a structured questionnaire before and after the film screening to 72 people who volunteered to participate. The instrument evaluated four dimensions through 20 questions on a 5-point Likert scale:
Technical knowledge (7 items)
Understanding of impact (2 items)
Attitudes and beliefs (6 items)
Behavioral intention (5 items)
This pre-post design allowed us to compare each participant’s responses before and after, thereby measuring the change attributable to the viewing experience.
Mi Cine Inclusivo proudly presents the online premiere of its feature documentary Inclusion – Beyond Cinema, now available free of charge and worldwide on YouTube.
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