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Can a Film Change How We Understand Accessibility? Results from Our Evaluation

For years, we’ve argued that audiovisual accessibility is not merely a set of techniques, but rather a way of understanding cinema itself. Yet convictions need data to back them up. That’s why, between February and March 2025, we decided to rigorously measure what happens when someone watches our film Inclusivity – Beyond Cinema. The results confirm something we had long suspected: there exists a gap between wanting to do things right and knowing how to do them.

Methodology: How We Measured Change

Working alongside Josep Solves from CEU Cardenal Herrera University, we administered a structured questionnaire before and after the film screening to 72 people who volunteered to participate. The instrument evaluated four dimensions through 20 questions on a 5-point Likert scale:

  • Technical knowledge (7 items)

  • Understanding of impact (2 items)

  • Attitudes and beliefs (6 items)

  • Behavioral intention (5 items)

This pre-post design allowed us to compare each participant’s responses before and after, thereby measuring the change attributable to the viewing experience.

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We’re premiering «Inclusion – Beyond Cinema» for free on YouTube: a full-length film about audiovisual accessibility

Mi Cine Inclusivo proudly presents the online premiere of its feature documentary Inclusion – Beyond Cinema, now available free of charge and worldwide on YouTube.

This unique film explores how cinema —a medium capable of moving, connecting, and transforming us— still contains barriers that prevent millions of people from fully enjoying it. From Spain to Latin America, artists, experts, and people with disabilities share their experiences and proposals to build a truly universal form of cinema. Continuar leyendo «We’re premiering «Inclusion – Beyond Cinema» for free on YouTube: a full-length film about audiovisual accessibility»

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«INCLUSIVITY: Beyond Cinema» to Premiere in English at the Fort Smith International Film Festival 2025

At Mi Cine Inclusivo, we continue to push the boundaries of accessibility—extending it beyond language. We are proud to announce the international premiere of the English-dubbed version of our feature documentary INCLUSIVITY: Beyond Cinema at the Fort Smith International Film Festival (FSIFF), which will celebrate its fifth edition from August 7–9, 2025, at the Fort Smith Convention Center in Arkansas, USA.

Dubbing and Inclusion: A Technological and Human Journey

This premiere marks another milestone in our commitment to inclusive filmmaking—from script to distribution. To reach English-speaking audiences, the original Spanish script was professionally translated, and the film was dubbed using state-of-the-art synthetic voices, carefully chosen to preserve the tone and emotional depth of each testimony. Continuar leyendo ««INCLUSIVITY: Beyond Cinema» to Premiere in English at the Fort Smith International Film Festival 2025″

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The Accessibility Report

WHAT IS THE ACCESSIBILITY REPORT?

The Accessibility Report is an interactive manual. It is divided into ten sections, which contain the different phases of the creative process of this film. Its aim is to capture the essence of each department of the project through videos, photographs and the testimonies of its main team. This allows the professionals in accessibility to know firsthand the most important data they will have to take into account  in the audio description and the enriched subtitling.

Fernando Villamanta, Whatscine’s CEO, reading the Accessibility Report.

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 Cinema For All: Part 2

An eye-opening anecdote

People are usually motivated by personal experience as a catalyst for universal change. Miguel Ángel Font Bisier admits he is not an agent of change who has personally been affected by any disability either through family members or his social bubble.

No, his defining moment was a result of a meeting with a deaf attendee at a film festival in San Diego 10 years ago. Admittedly, due to budget constraints and not thinking it would be selected for festival content, he had decided to shoot the film more as video art, abundant with visuals, few sound effects and complimenting music.

Miguel Ángel Font Bisier attending La Jolla Fashion Film Festival 2011. By Minh Huyhn.

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